Furch - Red Pure LC - Grand Auditorium - Alpine Spruce - Cocobolo B&S


The Red Series is the top line of our solid-wood guitars, where no expense is spared in an effort to use the very finest materials and components. Furch Red Pure LC model is made from master grade tone woods – the soundboard features Alpine spruce and the back and sides are made from cocobolo. This combination lends Furch Red Pure LC guitar a beautifully balanced timbre that is bright and open thanks to the spruce top. Furch Red Pure LC guitar owes its breathtaking appearance to a simple natural design that features a koa rosette and binding with a thin artificial ivory contrasting line and other exclusive woods. The fine sound and exclusive appearance underline the luxurious nature of Furch Red Pure LC instrument.
  • First-class acoustic guitar made for the most discerning guitarists.
  • Premium-quality master grade tone woods.
  • Proprietary design features and production technologies, including soundboard and back plate voicing, the revolutionary Furch CNR System® neck joint, and Full-Pore High-Gloss Finish.
  • Luxury appearance featuring a bold ring rosette, lavish body, fingerboard and head stock binding with a contrasting line, and unconventional koa square fingerboard position markers.
  • Heavy-duty Hiscox hard shell case.

Unique voicing process

The premium nature of Furch Red Pure LC guitar is underscored by the fact that both the soundboard and the back plate are individually tuned using the voicing process, our proprietary technology that enhances the guitar’s tonal properties to the highest level. Thanks to that, Furch Red Pure LC guitar has a crystalline clear, harmonically rich, balanced, and highly dynamic sound across the entire tonal spectrum.

Exceptional finish

Furch Red Pure LC guitar is protected by our proprietary Full-Pore High-Gloss Finish, which has been developed to enhance the guitar’s tonal qualities. The finish consists of an ultra thin layer of highly resistant lacquer that provides excellent surface protection and accentuates the structure of the wood at the same time.

Beauty of exotic wood

The stunning appearance of the guitar is underscored by a highly figured Central American ziricote bridge, fingerboard, and head stock overlay. The body, fingerboard, and head stock feature koa binding with a white contrasting line complemented by padauk purfling with black and white line.

Furch CNR System® Neck Design

A high precision, dual-action truss rod maintains neck stability and allows for fine adjustment of the neck relief, bilaterally. The truss rod is housed in a highly rigid carbon casing which enables a very smooth and controlled neck relief, ensuring the best playability and enduring optimal setup.

  1. A fully adjustable dual-action truss rod for highly precise adjustment of the neck bow in both the convex and concave directions.
  2. A highly rigid carbon casing that maintains the neck in the set position over a period much longer than is the case with standard neck joint designs and, at the same time, facilitates a gradual bow in the neck, a factor of essential importance for playability.
  3. A casting made of special alloy located inside the neck heel that ensures a stable position of the neck and its angle vis-à-vis the body.

Rosette made from koa

The sound hole is adorned by a rosette featuring a bold koa ring with a contrasting black and white line.

Transparent protection

The soundboard of Furch Red Pure LC guitar is protected by a transparent pick guard that allows the natural beauty of the wood to shine through. The pick guard is designed to have no effect on the tonal qualities of the soundboard.

Excellent machine heads

Furch Red Pure LC guitar has an excellent tuning stability courtesy of Gotoh 510 Silver Patina machine heads with polished ebony buttons and a highly precise 1:21 gear ratio.

High-rigidity Hiscox case

Maximum protection during transport is provided by a high-rigidity Hiscox case with polyurethane insulating foam that shields the instrument from changes in external climatic conditions.

 

Body

Available body shapes D, Dc, G, Gc, OM, OMc, OOM, RS
Neck-to-body joint At the 14th fret (OOM at the 12th fret)
Solid top Alpine spruce
Solid back and sides Cocobolo
Binding Koa with white line
Purfling Padauk with black and white line
Tail decoration Koa wedge with contrasting lines
Rosette Solid koa ring with black and white line
Bridge Figured ziricote
Bridge pins Ebony with pearl eye
Saddle TUSQ fully compensated
Bridge string spacing 2 3/16
Top finish Full-Pore High-Gloss Finish
Back and sides finish Full-Pore High-Gloss Finish
Pickguard Anti-Scratch - transparent
Comes in Hiscox hard shell case

Neck

Nut width 1 3/4
Available nut width 1 11/16 and 1 7/8
Neck reinforcement CNR System with dual-action adjustment
Neck profile Furch Soft V
Scale length 25 9/16
Fingerboard material Figured ziricote
Fingerboard radius 15 3/4
Fingerboard front inlay Koa rectangular inlays
Fingerboard side inlay White pearl linear position markers
Fret finish Polished
Headstock overlay Figured ziricote
Fingerboard and headstock binding Koa with white line
Neck material African mahogany
Machine heads Gotoh 510 Silver Patina - gear ratio 1:21
Machine head buttons Polished ebony
Zero fret TUSQ
Nut string spacing (1 3/4) 1 1/2
Nut string spacing (1 11/16) 1 7/16
Nut string spacing (1 7/8) 1 9/16
Strings Elixir Ph-Br Nanoweb 12-53
Neck finish Full-Pore Smooth-Slide Satin Finish
Headstock finish Full-Pore High-Gloss Finish



Pin It

Related Items